MIMR Band Chat: Snooker Season

One of the acts that have grabbed our attention during these dark times are lo-fi post-punk act Snooker Season who’s new EP expresses their desires and hobbies in equal measure.

We spoke to the band about playing live, influences and going to Barbados.

MIMR: Thrilled to have you on the blog, how has 2020 been for the band so far and with everyone a bit up in the air at the moment, what can you plan for the future?

SS: Thanks for having us! Right now we’re getting our heads down, writing and recording tracks. Spontaneously improvising songs is always fun but it’s great to really nail stuff down. Normally it happens at the last rehearsal before a gig, with the terror of public approval hovering over us.   We’ve just released our new EP and work is already well under well for a full length album. Expect songs about ring road traffic, medical professionals and empty pubs very soon.

MIMR: What would you say is the best description of your sound and what are your main influences?

SS: A nice cheap mash up of all your post punk favourites. We’re not super determined to ape something obscure like the sound of early Kleenex demos or whatever. We‘re into Talking Heads, The Fall, Wire. Hip hop comes into the drums and basslines. We like a lo-fi, live sound to the recordings rather than ultra-crisp and polished.  Lyrically it’s much more diverse. Don’t tell anyone but I actually quite like Randy Newman.

MIMR: Tell us all about the new EP ‘The American Office’ how did it come about and were they’re any challenges faced in its production?

SS: The American Office and Airport are some of the earliest songs we wrote as a group and have been a jumping off point for what came later. There’s a hard edge to the music and humour to the lyrics. The main challenge was probably recording everything five feet from a death metal band, with only a paper thin wall between us. We originally recorded a version of the EP in a studio, but it wasn’t quite right for us, so we did it again ourselves in our rehearsal space. Learning to record and mix took a bit of effort but the results were much closer to what we want. You can’t buy the ambience of someone screaming about Satan under the sound of your drums. 

MIMR: One of the tracks on the record is called ‘Euromillions’ and we all would love to be the lucky one to win the jackpot one day. What would you be your 1st purchase if you got lucky?

SS: I feel like that moment is a real moral crossroads in your life. Is it gonna be straight to Barbados with all your friends and family beaming beside you? Or cocaine and sex workers in a five star hotel? The song is definitely about someone who takes the low road, and who can blame him.  In reality my actual first purchase would probably be four cold cans of Stella from the shop downstairs. The best a man can get.

MIMR: Like everyone at the moment, i’m itching to see live music again, what’s the one thing you miss about playing live and what venues are your favourite ones to play or to simply hangout in? 

SS: You never feel more like a gang than when you play live. Five men and three amps in a small car, its bliss. And it’s great to let your mates hear what you’ve been wasting all your time on. We love playing in the northern quarter. Aatma and Band on the Wall have probably been our best gigs. It would be great to venture further afield in future though. I love it when people play in weird or unexpected venues. The Fall in Manchester Cathedral has gotta be the gold standard for me.

MIMR: Thanks for dropping by for a chat, we wish you well for the rest of the year. How can people follow you on social media?

SS: Nice one.

You can find us on
Instagram (https://www.instagram.com/snookerseason) and Facebook (https://www.facebook.com/SnookerSeasonBand).

The EP is up on Bandcamp (https://snookerseason.bandcamp.com) and you can search for it on Spotify, Apple Music etc.

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